5 Stars

Richard Himber’s Thought Control is an idea that has been copied many times over the last 65+ years since it’s release. But the original still provides one of the cleanest methods to have any card freely chosen and then have the prediction handed to the spectator for them to open. This is made from “Cashmere Cowhide” (whatever that is) but it feels like a very soft and fine quality leather 🙂

If you have a Himber Wallet and Thought Control in your arsenal you could handle 80+% of all your wallet needs, all from one man 🙂

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There have been at least four authorized versions of the wallet produced that I have seen (and probably plenty more unauthorized ones):

1. Original c. 1975 – (3 7/8″ x 7 3/4″) – R.A.R. Magic.
2. Version 2 c. 1982 – (4″ x 8″) – R.A.R. Magic – this is the one John Mendoza had.
3. Version 3 c. 1985 -(4 3/8″ x 7 1/4″) – R.A.R. Magic – first release of Bendix Bombshell routine book,  this set the mold for future wallets.
4. Version 4 c. 2010 – (4 3/8″ x 7 1/4″) – Martin Breese and Tony Curtis – updated release of Bendix Bombshell routine book.

This is Version 3 c. 1985 complete with The Bendix Bombshell booklet.

Here are a few details that I have been able to piece together (mainly from Roy Roth’s account here) of the early days of development of the Bendix Bombshell:

Ed Brown created the Window Wallet c. 1975 and a routine using it was published in Kabbala Vol.3, No. 1, January 1976, called: Between Elmsley, Brown, and Himber.

The Window Wallet was the inspiration for a number of great card men including, Ed Marlo, Dave Solomon (using Ed Brown’s own wallet), Jon Rachenbaumer (Talismanic Card in Wallet – Lecture Notes 1, 1976) , and Dave Bendix to create some wonderful Card to Wallet routines.  The second you see the the diagram on page 1 of the Kabbala article you will recognize the familiar set-up for the special Himber wallet that we recognize today as the Bendix Bombshell.

In August 1975,  having seen Ed Brown’s wallet (even before it was published in Kabbala), Dave Bendix wrote to Roy Roth of R.A.R. Magic asking to have a special wallet created and by December 1975 Roy had delivered three wallets as promised to Dave, who gave his spares to Ed Marlo and Dave Solomon.

Dave Bendix gave exclusive rights to Roy Roth to create and market the wallet and the first ads for, the Roth named, Bendix Bombshell appeared in Abracadabra December 27, 1975 – the early versions even included routines by Ed Marlo and Dave Solomon.

As far as I can tell the big change to the Window Wallet that Dave Bendix came up with was the addition of the zipper and the layout of the slots such that it could facilitate the easy retrieval of the chosen card from inside the zippered compartment. These beautiful changes in combination with the other ideas of the original Window Wallet – in particular the amazingly clean switch – make for such a satisfying effect which is probably why so many great performers like the Bendix.

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A really pretty set of Himber rings from David Regal made in plated 18K gold which not only look beautiful they function 100% smoothly. At this price point they are a great deal for sure!

David had a second run of these made in 2019 and they were identical to the first 18k Gold Plated set without the custom box and printed bag, just plain box and bag.

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This is the first time I have seen this amazing effect which is Classic Nick Ruggiero ingenuity. You have to wonder how he came up with the idea and the unique brass gimmick to make it all work so well. When Rich Bloch and Nick were cooking they created some truly unique items at Misty Morn Farm 🙂

I know The Ring Thing was released after the first catalog (c. 1987) and before 1991 (because I have a Ron Allesi newsletter advertising a used one in March 1991). But I could not find any advertising anywhere for it and by the time the second catalog was released (c. 1996) it was nowhere to be seen. It is strange it was not continued because it seems to work very well and is certainly unique. It might be a little daunting when you first see the props. But a quick study of the well illustrated instructions (six pages) with the props in hand will quickly make you an expert and you will see it is actually very straight forward.

The set-up from scratch takes about five minutes for one card but you could easily prepare a bunch and you could get the reset to about a minute.

Apart from the cool brass mechanism this uses I love how you freely hand the deck to the spectator and they can open up the deck to find their actual ring hanging from their chosen card. And then they need a pair of scissors to remove the ring as it is glued on so tightly 🙂

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This clever effect was invented by Glen Gloye whilst still a student at Elmhurst College and expertly crafted and marketed by Mazda Magic.  It has shades of Joe Berg’s No-Fake Card Frame but uses a very different method.

I particularly like to show the cabinet fully empty at first as it makes for a more convincing appearance later on. You can vanish  the watch using sleight of hand, a devil’s Hank or other approaches.  I added a small drawer box (which you can see in the video and I do include in this lot) to keep everything 100% mechanical and clean.

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This is a beautiful and almost certainly one-off version of Englishman Harry Leat’s wonderful Run Rabbit Run. I am not sure of the builder, however, there is a chance it was made or commissioned by Harry Leat himself. I came to this conclusion because Harry talks about his good friend Maurice Garland (another English magician) who was one of the Queen’s Guards and performed sentry duty many times outside of Buckingham Palace (Forty Years in & Around Magic pg. 24, Harry Leat, 1923).

It seems quite possible that the inventor of Run Rabbit Run who had a good friend in the Queens Guard could have had this made.  I don’t know this for sure, but it is as good a starting place as any.  If you have any more information on the creator of this unique prop please contact me.

The mechanism works very well and it easy to operate.  The guard moves on a circular arc which means you can get a lot of motion from the guard for a small amount of motion from your thumb – this is a nice touch.  The hand-painting on this prop is adorable and very detailed.

There is a slight part of the guard that can be seen when he is to either side, but this can hardly be noticed close-up let alone in a live performance – particularly from below where the children would normally be watching from.

Their is quite a lot that could be done with the patter for this item due to the intrigue that children have with the The Queen, Buckingham Palace, and The Queen’s Guard.  And painting Garland the Guard as a bad guard who should never leave his post seems like a natural theme.

I find it hard to believe that I’m still finding cool and novel Run Rabbit Run variants but that is what happens when you create the greatest children’s effect in history 🙂

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Here is Vol. 1 of Keep the Wheels Turning collection. Now you can read the story of Carl Owen, the man whose magical artistry and mechanical inventions were the foundation of quality magic.

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Here is the long anticipated Vol. 2 of Keep the Wheels Turning collection. Now you can read the story of Floyd Thayer too in this fabulous companion volume.

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A high quality silk Pistol that is very reliable and looks and sounds like a real pistol. This was the first design by Magic Hands and was changed later to this style.  As long as you use a 9″ silk it works perfectly and it easy to set.  I have tried 12″ silks and the diagonal cut ones but 9″ is definitely the best and most reliable to vanish.

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I was born in England in the 1960’s and it wasn’t until 1990 that I emigrated to America so much of my early magic dealer experience was with Ron MacMillan, Supreme Magic Company, Jack Hughes, and Alan Warner.  I hadn’t really heard of U.F. Grant or MAK magic before I came to America. But it didn’t take long after I arrived in Texas before I started to purchase the classic MAK and U.F. Grant magic.

I found the DVD’s talking about Grant very fascinating and particularly enjoyed the various Demos that Grant performs in various formats.  It is clear U.F. Grant was doing Speed Demos decades before I began 🙂

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